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Point by James Holcomb The Element of Art term, point, has many definitions, depending upon the type of art that is being discussed. A point usually refers to a mark or dot that has been created by a sharp or tapered end. It could also refer to the sharp or tapered end of an instrument that is used to make an indention into or onto a material. A sculptor would use a pointed tool to create a circular mark in a stone, while a painter might use a paintbrush or other tool to create a point on a paper or canvas.
The origin of the word point has two partial origins. From the Middle English, partly old French, word point, it could mean prick, mark, or moment. From the old French word, pointe, it could also be defined as sharp end. Of course, both of these words have their origins in the Latin word, punctum, which means, to prick.
The use of points in art is most definite in the style known as, Pointillism. This method of painting uses colored dots on a canvas that appears to create other colors as shapes when viewed from a distance. This style was developed in France in the 1880s, with Georges Seurat being the most famous of pointillist painters. His most famous painting is A Sunday Afternoon on the Island of Le Grande Jatte.
The use of points can obviously be found in the use of art, but they are also used in a variety of other ways.
Through the use of points, art is given definition and clarity. But for every rule, there is the exception. Pointillism is art in which the painter covers the canvas with several dots of paint that run together when viewed from a distance. The exact placement of these dots forced the human eye to see colors and shapes that are not there, but simply dots on the canvas. As previously stated, Georges Seurat was the most famous artist who worked in pointillism. His most famous painting, A Sunday Afternoon on the Island of Le Grande Jatte, can normally be viewed at the Art Institute of Chicago. You may view this painting online at the following web site: http://www.abcgallery.com/S/seurat/seurat87.html. If you focus you eyes, you can see the individual marks and dots. But when you look at the entire painting as a whole, the dots come together to create colors and images that define the painting.
Another example of pointillism is another Nineteenth century Frenchman by the name of Paul Signac. His painting, Rivers Edge: The Seine at Herblay, is on display at Musée d'Orsay, Paris, France. You may view this painting online at http://www.abcgallery.com/S/signac/signac11.html. An interesting observation about this painting is that it appears to be painted with mostly blue colors. The dots and marks are obvious as in the other painting, but focusing on them will not allow you to see the subtleties of the landscape. Through points, Signac has created buildings, the appearance of water flowing, shadow, and reflections of objects in the water. The white dots give the appearance of depth as well as a haze from the river.
Bibliography 1. Mataev,
Olga. Olga's Gallery. Dec.2003. 09 Sep.2003 2. Delahunt,
Michael. "Art Lex." . Aug.1996. 09 Sep.2003 3. "Dictionary.com."
2003. Lexico Publishing Group, LLC. 19 Sep. 2003 |
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